The Batman is aesthetically pleasing to watch and it’s elevated by Robert Pattinson’s excellent portrayal of the World’s Greatest Detective. But it’s unfortunately crippled by lousy pacing and a convoluted final act.
The idea of a character living the life of someone in the past as she goes to sleep is riveting, but it is Wright’s execution of the premise — by having a such a lovable lead to navigate through the ghostly narrative — that makes it such a pleasure to watch.
Eternals is massive in scope yet strikingly personal with its characters. It expands the MCU to cosmic depths that we have not seen before.
The Last Duel will disorient viewers at first, but what follows is an intense harrowing rollercoaster ride that ends in a satisfyingly brutal conclusion.
it’s a story of family and grief, and how grief can often get the best of us.
Overall, Gunn’s sensibilities and his masterful character-work is what drives The Suicide Squad to such great depths.
Villain-deficiencies aside, while Black Widow was never made with the intention be groundbreaking – it is more than worthy as a solo outing for Natasha Romanoff.
What sets Cruella apart from Disney’s other live-action attempts is that it does not feel shackled by the need to stay true to its source material.
Killing Eve writer Emerald Fennell, shines with her feature directorial debut with Promising Young Woman, a story that follows Cassie (Carey Mulligan) – a woman traumatized by her past, and vows to take revenge on the men who wronged her.
Australian director Kitty Green is able to portray a dry and unsettling environment within the production company, making it more akin to a house of horrors rather than an office.