The idea of a character living the life of someone in the past as she goes to sleep is riveting, but it is Wright’s execution of the premise — by having a such a lovable lead to navigate through the ghostly narrative — that makes it such a pleasure to watch.
Eternals is massive in scope yet strikingly personal with its characters. It expands the MCU to cosmic depths that we have not seen before.
The Last Duel will disorient viewers at first, but what follows is an intense harrowing rollercoaster ride that ends in a satisfyingly brutal conclusion.
it’s a story of family and grief, and how grief can often get the best of us.
Overall, Gunn’s sensibilities and his masterful character-work is what drives The Suicide Squad to such great depths.
Villain-deficiencies aside, while Black Widow was never made with the intention be groundbreaking – it is more than worthy as a solo outing for Natasha Romanoff.
Killing Eve writer Emerald Fennell, shines with her feature directorial debut with Promising Young Woman, a story that follows Cassie (Carey Mulligan) – a woman traumatized by her past, and vows to take revenge on the men who wronged her.
Australian director Kitty Green is able to portray a dry and unsettling environment within the production company, making it more akin to a house of horrors rather than an office.
Soul’s main strength is its willingness to let its characters simply breathe, and meander within the world they’ve so beautifully constructed.
When people cheer for the death of movie theaters, they think they’re going to get the next Avengers, Star Wars, in their living room. But what you’re probably going to get is the next Trolls sequel, and some low-budget action flicks because no studio in their right mind is going to spend $250 million for a movie to put it in streaming, that’s financial suicide.